The BET Awards made its comeback Sunday evening for its 26th edition, reviving “Culture’s Biggest Night” at the Peacock Theater in Los Angeles. Druski served as host as the 2026 ceremony celebrated the top names across Black music, cinema, television, sports, fashion and culture, while also carving out space for the kinds of tributes, viral jokes and live performance moments that have long separated BET from other awards shows.
This year’s edition offered a little bit of everything. Cardi B arrived as the night’s most-nominated artist, Teyana Taylor stood out as one of the night’s biggest winners, and veterans like Ms. Lauryn Hill and Sylvia Rhone received tributes that felt bigger than any trophy. The night also featured performances from Cardi B, RAYE, Kehlani, Tems, T.I., Don Toliver, Baby Keem, French Montana, Rick Ross, Max B, and more.
As usual, the BET Awards shined brightest when the show was unpredictable. Some moments were emotional. Some were hilarious. Some reminded viewers that when Black artists finally have a stage of their own, the night can become a concert, a family reunion, a roast session, and a history lesson all at once.
Teyana Taylor Gets Surprised By Janet Jackson
Teyana Taylor’s Icon of the Year Award already felt like one of the night’s peak moments, but BET elevated it by having Janet Jackson present the honor. Taylor wore her emotions on her sleeve as Jackson appeared, and the moment read as an authentic passing of the torch between two multi-talented icons. In her remarks, Taylor reflected on twenty years of work, building her own dream while helping others build theirs, and gratefully embracing the “icon” title at last.
Ms. Lauryn Hill Gets Her Flowers With A Star-Studded Tribute
One of the biggest moments of the night came when Ms. Lauryn Hill received BET’s inaugural Living Legend Icon Award. Before Hill took the stage herself, BET honored her influence with a stacked tribute featuring artists like SZA, Doechii, Nas, Doja Cat, Queen Latifah, Tems, Lizzo, Rapsody, Tierra Whack and more, reimagining classics from The Miseducation of Lauryn Hill and The Score. SZA and Doechii’s “Ready or Not” moment was one of the clear standouts, but the tribute hit another level when Hill closed it herself with “Ex-Factor.” It was less of a regular awards show tribute and more of a reminder that Hill’s impact still runs through multiple generations of Black music.
Cardi B Turns The Stage Into Her Own Show
Cardi B commandeered the BET stage with a medley that included “Hello,” “Check Please,” “ErrTime,” and “Pretty & Petty.” It was loud, confident and exactly the kind of performance people expect from her when she’s in rollout mode. The “Pretty & Petty” portion especially had people talking because Cardi brought diss record energy to live TV.
Keke Palmer Snatches Druski’s Mic
Keke Palmer gave the show one of its funniest moments when she walked up on Druski and joked that the hosting job should have been hers. The bit worked because Keke is one of the few people who can steal a live show for 30 seconds and somehow make it smoother. She turned the moment into a mini-audition, and fans immediately started saying BET should let her host next.
RAYE Gets A Standing Ovation
RAYE’s performance of “Nightingale Lane” was one of the night’s strongest vocal moments. In a show full of big production and fast-moving segments, she slowed the room down and let the performance breathe. By the end, the standing ovation felt earned, not forced.
Kehlani Performs “Folded” With A Jamie Foxx Surprise
Kehlani gave fans a smooth performance of “Folded,” but the extra surprise came when Jamie Foxx appeared at that moment. It added a family-style warmth to the performance and gave the crowd another reminder of how many generations were represented in the building. Kehlani also ended the night as a winner, taking home Best Female R&B/Pop Artist.
Sylvia Rhone Gets Her Flowers
Sylvia Rhone receiving the Ultimate Icon Award was a major moment for anyone who understands how much of the music industry she helped shape behind the scenes. Her career spans five decades, and her fingerprints are on multiple eras of Black music. Her message about protecting creativity in a tech-driven industry gave the moment extra weight.
The In Memoriam Tribute Brings Gospel Power
Erica Campbell and Le’Andria Johnson delivered one of the night’s most emotional performances during the In Memoriam segment. Their renditions of “I Love the Lord” and “Total Praise” gave the tribute the church-rooted power that BET moments often do better than anybody else. It was a pause in the celebration that reminded everyone of the artists, entertainers and cultural figures the community lost.
Tems Delivers “What You Need”
Tems brought a completely different energy to the BET stage with “What You Need.” Her performance was calm, controlled and atmospheric, which made it stand out on a night packed with louder moments. She didn’t need to do too much because the voice and presence were enough.
French Montana, Rick Ross & Max B Bring Out The Furs
French Montana, Rick Ross and Max B gave the night one of its most stylish rap moments with “Ever Since U Left Me” and “Minks in Miami.” The performance leaned fully into rap luxury rap energy, complete with furs and boss talk. It was a fun change of pace and one of those BET stage moments built for clips.
Baby Keem Brings A Fresh Jolt To The Stage
Baby Keem gave the show one of its younger, more unpredictable performance moments with “Circus Circus Freestyle,” “Dramatic Girl” and “Good Flirts” alongside Momo Boyd. On a night heavy on legacy, tributes and big honors, Keem’s set helped keep the show connected to what’s next. The performance had the kind of off-kilter energy that makes him stand out, giving the BET stage a different kind of spark.
T.I. Brings Atlanta Energy To The BET Stage
T.I. gave the show a classic Southern Hip-Hop moment with “Top Back” and “Let ‘Em Know.” On a night that bounced between new stars and living legends, his performance felt like a reminder of how much Atlanta has shaped BET’s stage over the years. It was one of those sets that didn’t need a long setup because the records and presence did the work.
